• News
  • Cameras
  • Gimbal
  • Lens
  • Grips
  • Lighting
  • Accessories
  • Drones
  • Reviews
  • More
    • Audio
    • Bags
    • Monitors
    • Post Production
    • Power
    • Tripod
Search
Latest
  • "NO CGI" is really just INVISIBLE CGI is a Must Watch on YouTube
  • Wooden Camera Lightweight Compact Mattebox, the Zip Box Pro
  • Indy Mogul is BACK!
  • Compact Powerful Aputure AMARAN AL-MW Mini LED Light Packs a Punch
  • A Quick Look at the ALEXA LF Camera's Picture Quality
  • SmartCAM Horizon Brushless Monitor Stabilizer... Solves Low-mode to Hi-mode Rebalancing
  • Spend 18 Minutes With The Sony VENICE Camera
  • DSLR Picture Styles
Cinescopophilia logo
banner ad
  • News
  • Cameras
    Random

    • SHOTOVER Hydra Synchronizes Six Red Dragon 6K Cameras For Stunning Panoramic Images

    Recent

    • A Quick Look at the ALEXA LF Camera’s Picture Quality

    • Spend 18 Minutes With The Sony VENICE Camera

    • New Products For the Sony Venice Camera From Wooden Camera

    • Panavision’s Millennium DXL2 Camera Makes NAB 2018 Debut

    • Canon EOS C700 FF Camera: Recording Options and a Walkaround

    • Skin Test and Camera Assistant Side Panel Operation: Sony CineAlta VENICE Camera

  • Gimbals
    Random

    • A Look at the Zhiyun Dual Handheld Grip for Crane-M

    Recent

    • Quick Look at How Stabile a Gremsy T3 is on a Carmount at 69mph / 111kms

    • How They Shot That Running With Cheetahs Footage

    • Motion Impossible Mantis Remote Dolly System Brag Reel

    • The Nebula 4100 Slant Gimbal for Mirrorless Cameras

    • Join Freefly Systems In This Behind The Scenes Special

    • CineMilled DJI Ronin 2 Heavy Payload Testing With ARRI Alexa XT, & Angenieux Zoom

  • Lenses
    Random

    • A Look At The Veydra 24mm, 35mm, and 50mm E Mount Lenses

    Recent

    • MTF Announce F3 Full-Frame Lenses from Leading Glass Manufacturer NiSi

    • NAB 2018: FUJINON 4K HDR Zoom Series Lens Expands with Two New 46x Zooms

    • A Full Frame and Anamorphic NAB 2018 for Angénieux

    • Old Hollywood Shooting Through a Silk Stocking Look With Schneider TRUE-NET Diffusion Filters

    • Rokinon High Speed SP 50mm F1.2 Lens for Canon Joins The SP Special Performance Series

    • P+S TECHNIK KOWA 2x Anamorphic Evolution Lenses Vs Original KOWA Anamorphics

  • Grips
    Random

    • Quick Tips On Doing Dramatic Push Shots

    Recent

    • SmartCAM Horizon Brushless Monitor Stabilizer… Solves Low-mode to Hi-mode Rebalancing

    • Your RigWheels Magnetic Windshield Mount Is Ready!

    • SYRP Genie II Coming With 3-Axis Motion Control Video, Time-lapse, Panorama Modes

    • Kessler Introduce the AutoCam360 Line of Products

    • Someone Please Explain The ZHIYUN Crane 2 Shoulder Bracket Accessory To Me!!!!

    • 3 Point Interview LIGHTING with SPEKULAR… Move with Rhino S2 EP3

  • Lighting
    Random

    • Changing Color Temperature With a VCT Dial On Hive Lighting

    Recent

    • Compact Powerful Aputure AMARAN AL-MW Mini LED Light Packs a Punch

    • Aputure Amaran MX and Amaran F7 Lights in Time for NAB 2018

    • A Look at the Hive Wasp 100-C Omni Color LED Light

    • The ARRI Academy HDR Masterclass Part 3: Light Setup Afternoon Sun

    • ARRI Academy HDR Masterclass for Part 2: Light Setup Midday

    • A Look at the Dracast Yoga Series 500 LED Lights

  • Drones
    Featured

    • Testing the Rottor Digital CableCam : 10x ZOOM TEST

    Recent

    • How They Shot That Running With Cheetahs Footage

    • Go Behind The Scenes on “The Flat Earth” featuring the SHOTOVER F1 System

    • More on That Autel EVO Drone

    • Say Hello To The Autel Robotics EVO Drone

    • Intuitive Aerial Newton S 3D Gyro-stabilized Remote Camera Head

    • Gremsy T1 Camera Gimbal

  • Accessories
    Random

    • The Solid Camera Rig Solution for the Sony NEX-FS100:

    Recent

    • Wooden Camera Lightweight Compact Mattebox, the Zip Box Pro

    • Indy Mogul is BACK!

    • New Products For the Sony Venice Camera From Wooden Camera

    • Wooden Camera Zip Focus

    • Reflected Light, & How It Affects Every Single Aspect Of How We Light

    • Cinevate HORIZEN Slider System

  • More
    • Audio
    • Bags
    • Monitors
    • Post Production
    • Power
    • Reviews
    • Tripod

Tagged Dot & Effects

Home
Dot & Effects

Using Just One 5D MKII for The Bullet Time Camera Effect:

How many cameras does it take to make that Matrix bullet camera time effect 59, 80, 24, or would you believe only one? Well the guys at Dot & Effects used just one camera and no grips. OMG you just said, you ... Read More...




About Cinescopophilia

Camera News, Reviews, Gear to Use, and Plenty of Cool Videos to View.

Cinescopophilia is an essential place for Filmmakers, Cameramen, and Editors to see the latest and greatest camera gear and accessories for them to have.

Made with love from Cinescopophilia
  • About
  • Advertise
  • Contact
  • Picture Styles