“The Storm” by Benjamin Zadig shot on a Weisscam HS-2 camera. Vision is shot at 1000fps and 2000fps. My two favorite shots from a recent music video shoot. In the finished product these, and the rest of the clips, is...Read More...
The CamDolly works as a Slider, a Tabletop Dolly, a Doorway Dolly, a Straight, a Curved, or a Flexible Track Dolly, as well as an Orbital Dolly, and an Arcing Dolly. Apparently it is The first dolly you should buy,...Read More...
Another Cinescopophilia find for the DSLR guys and users of Final Cut Pro X. Thanks to what2doandhow2doit for showing us his way of syncing DSLR audio with video clips in Final Cut Pro X. Sit back and watch, or take...Read More...
The Ace tripod system is the perfect camera support for the growing market of videographers and DSLR filmmakers. With a payload of up to 4 kilograms (8.8 pounds), Ace is ideal for smaller HDV camcorders and video-enabled DSLR cameras. Ace...Read More...
Picked this one up from Justin O’Neill, one of the good guys from RoyalGalactic; and it’s the Leica M series lens mount which enables the utilization of one of the world’s finest lens systems on the Red Epic Camera. The...Read More...
With a slogan “The Story Begins” from Canon and the fact that an event launch will be held at Paramount Studios Hollywood on November the 3rd you can bet your bottom dollar this is a a high end production camera...Read More...
At IBC 2011 ARRI have shown off their L-Series LED lights. The L7-T, L7-D and L7-C LED fixtures incorporate Fresnel characteristics such as continuous focusability from spot to flood and a smooth homogenous light field. L stands for LED and...Read More...
