Camera Recording File Size Calculator | Cinescopophilia
manufacturer-verified bitrates

Camera Recording File Size Calculator

Pick your camera, codec, and shoot duration. Get exact file sizes, how many clips fit on your cards, and direct links to buy the right media for your shoot.

294 cameras covered
cinema, action, gimbal cameras, drones and monitor recorders
the media planning tool for anyone that shoots, flies, or records
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brought to you by Cinescopophilia
Camera vs Camera

Compare file sizes and card capacity for two cameras side by side.

Single camera

Estimate file size and recording time for one camera and codec.

Monitor recorders

File size and card math for external monitor-recorders.

Shoot planner

Plan storage across multiple cameras and shoot days at once.

Bitrate ↔ size

Convert between bitrate and resulting file size instantly.

Duration ↔ size

Convert between shoot duration and resulting file size.

Bitrate + Duration

Solve for file size using bitrate and duration together.

Timecode calculator

Add, subtract and convert SMPTE timecode at any frame rate.

Transfer time

Estimate card-to-drive transfer time based on the slowest link.

Dailies calculator

OCF size plus dailies transcode size, with resolution and crop.

Proxy workflow storage

Storage across camera originals, proxy editorial and online/grade media.

RAID configuration

Usable storage after RAID redundancy for post-production drive arrays.

CAM-A primary camera
VS
CAM-B b-cam / second body
Shoot duration
Card buffer
Results
Metric CAM-A CAM-B Smaller
Bitrate
Per minute
Per hour
This shoot (raw)
With buffer

Figures are as accurate as possible. Some cameras use variable bitrate compression — actual file sizes will vary depending on scene complexity, recording settings, and firmware version.

Shoot totals with 20% buffer
CAM-A
CAM-B
Total media needed
both cameras
Select cameras and enter a shoot duration.
Suggested media for this shoot
Buy these cameras
Duration
Card buffer
Estimated file size
This clip
GB
Per minute
MB/min
Per hour
GB/hr
Bitrate
Mbps
Clips that fit — select a camera
64 GB
clips
128 GB
clips
256 GB
clips
512 GB
clips
1 TB
clips
2 TB
clips
Order your media cards here Amazon ↗ B&H Photo ↗ Adorama ↗
⚠ This recorder is discontinued. Buy links show used market only.
Select a recorder above to see specifications.
Buffer
File size results
This clip
GB
Per minute
GB/min
Per hour
GB/hr
Bitrate
Mbps
Clips per drive
256 GB
clips
500 GB
clips
1 TB
clips
2 TB
clips
4 TB
clips
Recommended drives
Order this monitor recorder

Shoot planner

Plan a multi-day, multi-camera shoot: cards, drives, and backups needed, with a live capacity read-out.

Card buffer
to fill cards
Hours to fill cards
total storage
Total storage needed
Daily usage: —
Comfortable Tight Over capacity
Cumulative storage per day vs. total card capacity (dashed line)
Select a camera to see your shoot’s storage plan.
Order media for this shoot
Select a camera to see recommended card and drive searches.

Figures are estimates based on manufacturer-published bitrates and assume steady recording at the stated hours/day. Actual usage varies with scene complexity, breaks, and card/drive overhead. Backup copies shown as a simple multiplier — for master/slave workflows, plan for the master to travel with the crew and the slave to ship for post.

Bitrate File size calculator

Enter any two values — we solve the third. Pick a resolution, frame rate and codec preset to auto-fill bitrate, or type your own.

Manufacturer verified. Every bitrate is sourced from manufacturer documentation, official spec sheets, and published help guides — not third-party estimates. VBR (variable bitrate) codec presets show the peak advertised rate; real-world file sizes are often lower depending on scene complexity. CBR (constant bitrate) codecs stay fixed regardless of content.

Duration File size calculator

Same solve-for-the-third logic, tied to resolution + frame rate. VBR codecs scale with frame rate, CBR codecs stay fixed.

Manufacturer verified. Every bitrate is sourced from manufacturer documentation, official spec sheets, and published help guides — not third-party estimates. VBR (variable bitrate) codec presets show the peak advertised rate and scale with frame rate below; real-world file sizes are often lower depending on scene complexity. CBR (constant bitrate) codecs stay fixed regardless of frame rate.

Bitrate + Duration File size calculator

Fill in any two of Duration, Bitrate and File size — the third solves automatically. VBR codec presets scale with frame rate.

Manufacturer verified. Every bitrate is sourced from manufacturer documentation, official spec sheets, and published help guides — not third-party estimates. VBR codec presets show the peak advertised rate and scale with frame rate; CBR codecs stay fixed regardless of frame rate or scene content.

Professional Timecode Calculator

Add, subtract, multiply or divide timecode at any standard frame rate, including drop-frame.

01:00:10:00
— frames
Recent calculations (exported in the slate)

Drop-frame timecode (29.97 DF, 59.94 DF) skips frame numbers — not actual frames — to keep timecode aligned with real-world clock time. Mixing drop-frame and non-drop-frame timecode in the same calculation is a common source of sync errors on set; always confirm your project’s frame rate mode before relying on these results.

Transfer time calculator

Estimate how long a card-to-drive or drive-to-drive transfer will take, based on the slowest link in the chain.

Select source, interface and destination.
effective speed
estimated transfer time
Chain speeds (slowest link wins)
Order source, interface or destination gear

Real-world transfer speeds are always lower than rated/theoretical maximums due to file system overhead, drive fragmentation, small-file overhead, and controller limitations. The efficiency setting above lets you model this — 70% is a reasonable default for most real-world card-to-SSD transfers.

Dailies calculator

Work out original camera footage (OCF) size, then estimate dailies transcode size on top — including resolution and aspect-ratio crop.

1Original camera footage (OCF)
OCF resolution
OCF bitrate (Mbps)
OCF total size
2Dailies transcode
delivery resolution
dailies bitrate (Mbps)
dailies total size
Combined storage for this shoot day
OCF + dailies
Order media and drives for OCF + dailies
Select a camera to see recommended card and drive searches.

Dailies bitrate is estimated by scaling the selected codec’s reference bitrate by the ratio of delivery pixels to reference pixels, then applying any aspect-ratio crop. Actual transcode bitrates vary by encoder settings, grain/noise levels, and whether color grading (LUTs/CDLs) is baked in.

Proxy workflow storage calculator

Estimate storage across the full post pipeline — camera originals, proxy/offline editorial media, and online/grade media — based on your planned runtime and shooting ratio.

1Camera originals (OCF)
total shot footage
OCF bitrate (Mbps)
camera originals total
2Proxy / offline editorial
proxy resolution
proxy bitrate (Mbps)
proxy total (all shot footage)
3Online / grade media
grade resolution (full res)
grade bitrate (Mbps)
online/grade total (final runtime only)
Total production storage (with backup copies)
OCF + proxy + online/grade
Order media and drives for this workflow
Select a camera to see recommended card and drive searches.

Proxy media is estimated for all shot footage (final runtime × shooting ratio), since editors typically work from the full shoot before cutting down. Online/grade media is estimated for the final program runtime only, since only the selected cut is usually conformed back to full quality. Actual storage varies with shooting style, coverage, and how much extra footage (safety takes, b-roll) is captured beyond the stated ratio.

RAID configuration calculator

Calculate usable storage after RAID redundancy for post-production storage arrays.

raw capacity
redundancy overhead
usable capacity
Compare across levels (same drive count and size)
Order drives for this array
Enter your array size above to see recommended drive searches.

Usable capacity is calculated using standard RAID overhead formulas and assumes all drives are the same size. Real-world usable capacity can be slightly lower due to filesystem overhead, controller reserved space, and manufacturer capacity rounding (drives are sold in decimal TB, most systems report in binary TiB). RAID 10 and RAID 50 figures assume an even number of drives split into the minimum number of sub-arrays.

Quick answers

Direct numbers for the most-searched storage questions. Every figure pulled from manufacturer documentation.

Cinema and hybrid cameras
What is the highest bitrate the Sony FX6 records at?
The Sony FX6 records UHD 4K at up to 600 Mbps XAVC S-I All-Intra at 60p, 50p, and 30p. DCI 4K tops out at 240 Mbps at 24p. HD All-Intra runs 222 Mbps at 120p. Records to CFexpress Type A and UHS-II SD. Source: Sony PXW-FX6 Help Guide.
What bitrate does the Sony FX3 record at?
The FX3 shares identical recording specs to the a7S III — up to 600 Mbps XAVC S-I All-Intra. Records to CFexpress Type A and UHS-II SD. Source: Sony ILME-FX3 Help Guide.
What bitrate does the Sony a7S III record at?
The Sony a7S III records up to 600 Mbps XAVC S-I All-Intra at 120p. XAVC HS 4K 120p runs at 280 Mbps. Records to CFexpress Type A and UHS-II SD. Source: Sony ILCE-7SM3 Help Guide.
What bitrate does the Blackmagic Pyxis 6K record at?
BRAW 3:1 at 6K runs approximately 3,000 Mbps. ProRes 422 HQ tops out at 400 Mbps. Records to CFexpress Type B and SD UHS-II. Source: Blackmagic Pyxis 6K specifications.
How much storage does the ARRI ALEXA 35 need per hour?
At ARRIRAW 4.6K Open Gate 24p, approximately 2,059 GB per hour. ARRIRAW-HDE lossless halves this. ProRes 422 HQ 4K runs around 320 GB/hr. Records to Codex Compact Drive. Source: ARRI Formats and Data Rate Calculator.
What bitrate does the Fujifilm GFX ETERNA 55 record at?
Fujifilm’s first dedicated cinema camera records up to 720 Mbps ProRes 422 HQ at DCI 8K/30p. Records to CFexpress Type B and SD UHS-II V90. Source: Fujifilm GFX ETERNA 55 specifications.
What bitrate does the RED KOMODO 6K record at?
REDCODE RAW 5:1 at 6K runs approximately 2,304 Mbps. REDCODE 12:1 standard runs around 960 Mbps. Records to CFast 2.0. Source: RED KOMODO 6K specifications.
What bitrate does the Canon EOS R5 Mark II record at?
Up to 2,600 Mbps in Cinema RAW Light. H.265 All-I 8K runs approximately 1,300 Mbps. Records to CFexpress Type B and UHS-II SD. Source: Canon EOS R5 Mark II specifications.
Drones
How much storage does the DJI Mavic 4 Pro need per hour?
At 1,200 Mbps ALL-I, approximately 540 GB per hour. At standard 200 Mbps Long GOP, around 90 GB/hr. Source: DJI Mavic 4 Pro specifications.
What bitrate does the DJI Air 3S record at?
Maximum 130 Mbps H.265 4K/60fps 10-bit D-Log M. Records to microSD. Source: DJI Air 3S specifications.
What bitrate does the DJI Mini 5 Pro record at?
The DJI Mini 5 Pro records at up to 130 Mbps H.265 at 4K up to 120fps. 1-inch CMOS sensor, 50MP, supports D-Log M and HLG. Records to microSD. Source: DJI Mini 5 Pro specifications.
What bitrate does the DJI Lito X1 record at?
The DJI Lito X1 records at up to 130 Mbps H.265 at 4K up to 100fps slow-motion. Also records H.264 at FHD and 2.7K vertical shooting. Supports D-Log M 10-bit, 10-bit 4:2:0. Records to microSD. Source: DJI Lito X1 specifications.
Does the DJI Lito 1 record vertically?
Yes. The DJI Lito 1 records vertical video natively in a 2.7K Vertical (1512×2688) mode at up to 60fps, 65 Mbps H.265. It also records standard UHD 4K at up to 60fps (85 Mbps) and FHD at up to 200fps slow-motion. All formats record to microSD. Source: DJI Lito 1 specifications.
What bitrate does the DJI Mini 4 Pro record at?
The DJI Mini 4 Pro records at 150 Mbps at 4K, 100 Mbps at 2.7K, and 60 Mbps at 1080p in H.265. Supports D-Log M 10-bit. Records to microSD. Source: DJI Mini 4 Pro specifications.
Gimbal cameras
What bitrate does the DJI Osmo Pocket 4 record at?
Up to 180 Mbps in 4K/240fps. 1-inch CMOS sensor, 107GB internal storage, no microSD slot. Released April 2026. Source: DJI Osmo Pocket 4 specifications.
What bitrate does the Insta360 Luna Ultra record at?
The Insta360 Luna Ultra records at up to 200 Mbps on its 1-inch Leica Summicron sensor. Dual-lens system. Launched June 10, 2026. Source: Insta360 Luna Ultra specifications.
Action cameras
What bitrate does the GoPro Mission 1 Pro record at?
Up to 240 Mbps H.265 at 8K/60fps with 10-bit GP-Log2. 1-inch sensor. Records to microSD. Source: GoPro Mission 1 Pro specifications.
How much storage does the GoPro Hero 13 Black use per hour?
At 120 Mbps in 5.3K/60fps, approximately 54 GB per hour. At 4K/60fps (100 Mbps), around 45 GB/hr. Source: GoPro Hero 13 Black specifications.
How much storage does the DJI Osmo Action 6 use recording 4K in an hour?
At the maximum 120 Mbps H.265 at 4K/120fps, approximately 54 GB per hour. At the standard 4K/60fps setting (also 120 Mbps), the same 54 GB/hr applies. At 4K/30fps the bitrate is lower and real-world usage will be around 27–40 GB/hr depending on scene complexity. Records to microSD. Source: DJI Osmo Action 6 specifications.
Shoot planning, timecode & workflow tools
How do I plan storage for a multi-camera, multi-day shoot?
Use the Shoot planner tab. Pick a camera, resolution, codec and frame rate, then enter the number of cameras, cards per camera, card size, hours per day, shooting days and backup copies. It shows hours-to-fill-cards, total storage needed (with your card buffer applied), a traffic-light capacity read-out, and a day-by-day storage chart with backup overflow shown separately.
What’s the difference between the Bitrate, Duration, and Bitrate + Duration tabs?
Bitrate ↔ File size solves for bitrate or file size when you know the duration. Duration ↔ File size solves for duration or file size when you know the bitrate, with VBR codec presets that scale with frame rate. Bitrate + Duration combines both — fill in any two of duration, bitrate and file size and the third is solved automatically.
Does the Timecode calculator support drop-frame timecode?
Yes. Select 29.97 fps (Drop Frame) or 59.94 fps (Drop Frame) from the frame rate dropdown, and all math (add, subtract, multiply, divide, batch lists, and timecode pairs) correctly accounts for the dropped frame numbers used to keep drop-frame timecode aligned to real clock time. Mixing drop-frame and non-drop-frame timecode in one calculation is the most common cause of sync errors on set.
How do I total the runtime of multiple clips from their in and out points?
In the Timecode tab, click Timecode pairs. Enter one clip per line as a start timecode, a space, then an end timecode (e.g. 00:00:43:00 00:01:56:00). Each line’s duration is calculated and all clips are totaled into one combined runtime — handy for tallying selects from a shot log or EDL.
How accurate is the Transfer time calculator?
It calculates the theoretical bottleneck across your source card, connection interface, and destination drive, then applies a real-world efficiency percentage (50–100%, 70% is a sensible default) to account for file system overhead, small-file overhead, and controller limitations. Actual results vary by hardware, drivers, and whether other processes are competing for the same bus.
What does the Dailies calculator account for?
It’s a two-stage tool. Stage 1 calculates your original camera footage (OCF) size using the full camera database. Stage 2 estimates the dailies transcode size on top, using your chosen delivery frame size (full/half/quarter resolution), an aspect-ratio crop (2.39:1, 1.85:1, 16:9, 4:3, or none), and a transcode codec (ProRes, DNxHR, or H.264/H.265 delivery presets) — scaling the codec’s reference bitrate by both resolution and crop.
About this calculator

Where the numbers come from

Every bitrate sourced from manufacturer documentation, official spec sheets, and published help guides. VBR codecs show peak advertised rates — real-world files may be lower.

CBR vs VBR

CBR codecs like XAVC S-I write at a fixed rate — estimates are precise. VBR codecs like H.265 Long GOP fluctuate with scene complexity — estimates show peak rate.

Cameras covered

294+ cameras across cinema, prosumer hybrid, drone, action, handheld gimbal, and high-speed categories. This calculator covers modern cameras that record 4K or above — cameras limited to FHD or lower are not included. Always verify against your camera’s official spec sheet.

Card buffer explained

The 20% buffer is recommended for mission-critical work. Filling a card to 100% risks losing the final clip.

Missing a camera, or spotted something wrong? We want this calculator to be as accurate and complete as possible. If a camera is missing from the list, or if you notice a bitrate or spec that doesn’t match your camera’s documentation, please let us know so we can keep the database up to date.
Affiliate links: as an Amazon Associate, B&H Photo affiliate, Adorama affiliate, and eBay Partner, Cinescopophilia earns from qualifying purchases at no extra cost to you. Bitrates sourced from manufacturer documentation — E&OE, always verify against your camera’s official spec sheet before a critical shoot. Full affiliate disclosure. Looking for lens and framing math instead? Check out our Cinematography & Optics Calculators.