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    A Quick Look at the ALEXA LF Camera’s Picture Quality

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    Spend 18 Minutes With The Sony VENICE Camera

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    New Products For the Sony Venice Camera From Wooden Camera

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    Panavision’s Millennium DXL2 Camera Makes NAB 2018 Debut

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    Canon EOS C700 FF Camera: Recording Options and a Walkaround

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    Skin Test and Camera Assistant Side Panel Operation: Sony CineAlta VENICE Camera

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    HDR & Colour Managed Workflow on the VariCam from the Workshop in Sweden 2017

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    MTF Announce F3 Full-Frame Lenses from Leading Glass Manufacturer NiSi

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    NAB 2018: FUJINON 4K HDR Zoom Series Lens Expands with Two New 46x Zooms

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    A Full Frame and Anamorphic NAB 2018 for Angénieux

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    Old Hollywood Shooting Through a Silk Stocking Look With Schneider TRUE-NET Diffusion Filters

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    Rokinon High Speed SP 50mm F1.2 Lens for Canon Joins The SP Special Performance Series

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    P+S TECHNIK KOWA 2x Anamorphic Evolution Lenses Vs Original KOWA Anamorphics

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    Masterclass: John Mathieson on Choosing Lenses Part 1 via Cooke Optics

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    How They Shot That Running With Cheetahs Footage

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    Go Behind The Scenes on “The Flat Earth” featuring the SHOTOVER F1 System

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    More on That Autel EVO Drone

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    Say Hello To The Autel Robotics EVO Drone

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    Intuitive Aerial Newton S 3D Gyro-stabilized Remote Camera Head

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    Gremsy T1 Camera Gimbal

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    Testing the Rottor Digital CableCam : 10x ZOOM TEST

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    Best Damn Camerama’am #1 – Bella + Canvas T-Shirt

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    Old School New Cool Digital Bolex D16 Camera Test

    Cinescopophilia 1 min read
    Well this would now be considered an old school test. The Digital Bolex D16 camera still good from Olan Collardy.... Read More...

    New B+W Full Spectrum Neutral Density Filters

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    Schneider-Kreuznach expands their renowned B+W filter line with the new XS-Pro Neutral Density series. Made of select finely cut and... Read More...

    Unleash Your Camera Capability with Speed Line cable cam

    Cinescopophilia 1 min read
    Speed Line cable cam demonstrate a very quick look at their aerial cable camera system and running set up. UNLEASH YOUR CAMERA CAPABILITY with Speed Line cable cam SPL_ATC16 from Speed Line cable cam on Vimeo. SPEED LINE cable cam... Read More...

    Basic Camera Shots For Filmmaking from Cinematic J

    Cinescopophilia 1 min read
    The enigmatic Cinematic J drops some knowledge to budding filmmakers with his short “Basic Camera Shots For Filmmaking” tutorial. 6... Read More...

    Alexa MINI Open Gate 3.4K RAW & Blackmagic URSA MINI 4.6K RAW in Extreme Contrast

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    Sittipong Kongtong tested the ARRI MINI and BMD URSA MINI cameras under extreme contrasty conditions. Check his Alexa MINI Open... Read More...

    Meet The Gaffer: Loading A Fisher 10 For Travel

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    Luke Seerveld who runs Meet The Gaffer on YouTube was a good find in 2016. Loads of info from the world of Gaffing. Here is the last post in 2K16 for Luke where he covers loading a Fisher 10 for... Read More...

    Panther and their Happy New Year 2017 Wish

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    Panther have released one last video for the dying 2016 year. Panther are wishing you a Happy New Year for... Read More...

    Alexa ARRIRAW Test Footage from Benjamin Webber

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    A very quick ARRI Alexa ARRIRAW footage test from Benjamin Webber. Alexa ARRIRAW Test Footage from Benjamin Webber on Vimeo.... Read More...

    7 On Set Safety Essentials from Aputure

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    In this five minute twenty five second instalment of Aputure’s online 4 Minute Film School they offer up 7 on set safety essentials. On this week’s episode of Four Minute Film School, we discuss some really essential tips on setting... Read More...

    AbelCine In-Depth Look at the ARRI SkyPanel S-60C

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    Ian from AbelCine takes a look at the ARRI SkyPanel LED soft light that is packed with features. The SkyPanel... Read More...

    Using an iPhone App To Replace a $1000 Spectrometer?

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    Martin Lisius has a white balancing tip for you that involves using a simple iPhone app. Using an iPhone app... Read More...

    Matching Sony to Canon Colour

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    Grant Pichla has a Sony to Canon colour look recipe, and he is now offering that technique to everyone. $10.00 to forever use your Sony footage with the Canon look! Works in Adobe Premiere, After Effects, Photoshop, FCPX, and DaVinci... Read More...

    Expanded Look at the Canon EF 200-400mm f/4L USM Extender 1.4x

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    Check out the expanded look of the Canon EF 200-400mm f/4L USM Extender 1.4x. Go deep inside the high-performance super-telephoto... Read More...

    Rokinon 20mm F1.8 and 20mm T1.9 High Speed Full Frame Super-Wide-Angle Lenses

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    New and available for immediate delivery are both the Rokinon Digital Photo 20mm F1.8 and Rokinon Cine DS 20mm T1.9... Read More...

    How To Install LUTs in Premiere Pro CC 2015.3 / 2017 & More Recent Versions on Mac

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    Straight to the point instructional video from IWLTBAP on how to install LUTs in Premiere Pro CC 2015.3 / 2017. How to install the LUTs in Premiere Pro CC 2015.3 / 2017 and more recent (Mac) from IWLTBAP on Vimeo.... Read More...

    Quasar Science LED Lighting Explained Plus Review by Hot Rod Cameras

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    RED Weapon 6K Camera Given To All Die Woodys Fichtl’s Lied Contestants

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    RED‘s President Jarred Land has reached into his big RED Santa Sack and awarded what must be one of the... Read More...

    4K Showreel 2017 from theblackdrone GmbH

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    It’s showreel season and let us get straight into it with a two minute corker from theblackdrone GmbH. 4K Showreel 2017 // theblackdrone GmbH from theblackdrone GmbH on Vimeo. Please enjoy our Showreel for 2017 with recent projects for some... Read More...

    How to install the LUTs in Premiere Pro CC 2015.3 / 2017

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    Straight to the point instructional video from IWLTBAP on how to install LUTs in Premiere Pro CC 2015.3 / 2017.... Read More...

    SHAPE ENGSTYLE Camcorder Kit

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    Canadian gear maker company SHAPE introduce the ENGSTYLE Kit for well making your camcorder more ENG like. SHAPE ENGSTYLE CAMCORDER... Read More...

    Sony FS7 II Shooting The Monumental Scenery of New York City

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    A collection of shots showcasing some the iconic locations and scenery of New York city, filmed on the Sony FS7 II camera. The original footage is edited in 4K (3840×2160) using various lenses including newly developed G lens SELP18110G. For... Read More...
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