Tests designed for the ''Wen’s Day'' Film
Philippe Ros research (Cinematographer AFC) – Courtesy of Aramis Films – Film directed by Oscar Lalo. – Presented by Isabelle Sarfati
Goal of these tests: to simulate a medium range budget film in a real hospital (with hard lighting conditions impossible to control).
Tests must be adapted to style of filming and to specificities of location showing flat, dull lighting. Characters in the film are suffering from AIDS.
These tests are part of a research called: The texture of the digital image through the control of sharpness:
a real artistic issue
Senior colorist: Laurent Desbrueres (Digimage) – Makeup artist: Cynthia Scigliuto
Special thanks to Evelyne Madaoui, Cecile Remond, Samuel Renollet, Philippe Guillemin (RVZ Cameras) , Didier de Keyser, Guillaume Lips, Charles Freville, Julien Souchet (Digimage Cinema) – Andrew Steele & Benjamin Steele (Emit Paris) – CareyDuffy (Tiffen) – Les Zellan, Robert Howard, Geoffrey Chappell (Cooke Optics) – Rosine Depoix (Esprit production) – François Mallard (Production manager) – François Paturel (Cinematographer, DIT) – Norbert Damman (First assistant director AFAR) – Mathieu Lamand (First assistant camera) – Margaux Paturel, Marion Poulain (Second assistants camera) – Olivier Barre (Head Gaffer) – Mathis Barre (Electrician) – Morvan Omnes (Dolly grip) – Maxime Daguerre (Grip) – Pablo Ros (Second assistant director) – Louise Mallard (Location manager assistant) – Theo Belnou, Nathalie Ros (Still photographers)
Latifa Haddou (Catering)
Shot with Sony F55 Raw – Lens: 75 mm Cooke S4/i
Extract from a 4K DPX 16-bit Log
S-Gammut 3 – S-Log 3 – Lut: DCI XYZ Log2lin – Da Vinci Resolve 10
Black Diff FX
SFX + Glimmerglass
Combo SFX 1/2 + Black Promist ¼
Combo SFX 1/2 + Black Promist 1/16