Sony go to the effort of unboxing a Sony PXW-FS5 camera.
The FS5 is the newest member of the Sony 4K Super35mm family, and Brett and Shahpour from the Sony 4K Creators channel are responsible for the cardboard and plastic opening.
A handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal agility. And a handheld camera should function beautifully against your chest, comfortably steadied by your right hand with all the controls at your fingertips. Sony’s extraordinary PXW-FS5 does all of this, and more.
When you’re in the field, you don’t want to lose time or miss any opportunity. The FS5 allows you to quickly add or remove components such as the grip and LCD viewfinder without special tools, while standard ¼-inch screw holes support mounting on a drone, gimbal or in a underwater housing.
α mount flexibility
Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. The FS5’s E-Mount can take cinema lenses and SLR lenses with a third party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, the FS5 makes it easy.
You can also purchase the FS5 on its own (PXW-FS5) or with lens (PXW-FS5K).
Weighing only 427g, the SELP18105G is an ideal partner for the FS5 delivering stunning imagery with a 6x power zoom which is easily adjusted by a zoom lever on the camera’s grip and handle.
Maximum aperture is a constant F4 from 18mm to 105mm, with excellent resolution and contrast throughout.
A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.
SELP18105G is supplied as standard with PXW-FS5K.
Handheld 4K at 100Mbps
When quality is everything, make the most of the FS5’s Super 35 Exmor sensor and shoot 100Mbps 4K (3840 x 2160) using Sony’s advanced XAVC (Long GOP) recording system. In the future, there will even be the option to record RAW externally (details to be announced). If you need a fast turnaround, switch to Full-HD (1920×1080) recording at up to 60p XAVC 10bit 4:2:2 50Mbps. The FS5 has the flexibility to suit how you need to work, today and tomorrow.
240fps slow motion
High Frame Rate shots can turn everyday actions into slow-motion ballet and the FS5 delivers a stunning 240 frames per second (fps) in Full HD XAVC 10bit 4:2:2. If your project plays at the cinematic 24p, you get beautiful 10x Super Slow Motion. There’s no sacrifice in bit depth and no “windowing” of the sensor. So there’s no crop factor, no loss in angle of view.