Old Hollywood Shooting Through a Silk Stocking Look With Schneider TRUE-NET Diffusion Filters Cinescopophilia
Rokinon High Speed SP 50mm F1.2 Lens for Canon Joins The SP Special Performance Series Cinescopophilia
30 Second Colour Grade Lesson Cinescopophilia 1 min readIWLTBAP hits it and quits it with a 30 second lesson on colour grading. 30 Seconds Color Grading #1 from...
Dave Alex Riddett and Lighting Stop-motion at Aardman Animations Cinescopophilia 1 min readCooke Optics and Cinematographer Dave Alex Riddett show how he lights various productions, and the type of lighting process behind...
A 24HR Time Lapse Marathon Cinescopophilia 1 min readRhino Camera Gear CEO Kyle Hart and photographer Jeff Marsh drove around Eastern Washington shooting as many time lapses as...
Technocrane’s 101 Cinescopophilia 1 min readFrom the Blog that advocates working for free an episode where the Cinematography Database operate a 30 foot Technocrane to...
Zhiyun Z1 Shining 3-axis Gimbal Cinescopophilia 1 min readA look at the Zhiyun Z1 Shining 3-axis gimbal. The Zhiyun is a stabilizer for professional cameras and could be...
Leofoto LN-404C Carbon Fiber Tripod Review from Frank Suero Cinescopophilia 1 min readFrank Suero conducts an open box and review of the LN-404C carbon fiber Tripod from LEOFOTO. The LN-404C is a...
Slow Motion Blackmagic URSA Mini With Some Footage and Review Number 2 Cinescopophilia 1 min readThe lights are off but someone is home in the land of Clovis Libert as the URSA Mini gets a...
Testing LUTs from IWLTBAP Colour Grading Pack on Lumix LX100 Footage Cinescopophilia 1 min readQuick testing some of the IWLTBAP LUTs with Panasonic lx100 CAMERA. Test of some LUTs from IWLTBAP Color Grading Pack...
Rokinon 50mm F1.4 AF Full Frame for Sony E mount Cinescopophilia 1 min readThe new Rokinon 50mm F1.4 AF Full Frame for Sony E mount is the first model available in its new...
Why Adjust Colours Before The LUT? A Colour Grading Tutorial from Casey Faris Cinescopophilia 1 min readCasey Faris continues his look at LUTs, and in this episode he asks the question, why adjust the colours before...
A Demo of the Rocket Rooster Analog Cinema 4 Cinescopophilia 1 min readA new demo of the Rocket Rooster Analog Cinema 4 in action. The latest edition in the ever popular Analog...
DVPRO 6 Camera Shootout 2016 Cinescopophilia 1 min readA six camera shootout from the Brazilian Mob, DVPRO. Included in the 2016 camera shootout is the Sony a7S II,...
DJI Ronin MX First Test On Custom EVO RC Camera Buggy Cinescopophilia 1 min readAustralian Spreading Wings tests a DJI Ronin MX on their custom EVO RC camera buggy. They also perform a Phantom...
Came-TV Mass Shipping Came-optimus Gimbal Cinescopophilia 1 min readCame-TV sent Cinescopophilia a message telling us that they are now mass shipping the Came-optimus Gimbal. The CAME-OPTIMUS is the...
Aputure COB120t Light Cinescopophilia 1 min readAputure COB120t light is the latest in their Light Storm professional line of high output LEDs. So often video shooters...
octo+ HV Is The DIY Freefly Alta 8 from Lycks Vision Cinescopophilia 1 min readThis is not the first DIY Lycks Vision system that Cinescopophilia readers have seen. A DIY Freefly ALTA 8 is...
Enjoy The Freefly ALTA “Agility” Cinescopophilia 1 min readEnjoy an instalment from Freefly Systems showcasing the ALTA in a mini style feature. ALTA – Agility from Freefly on...
VFX In The 80’s: A Blue Screen Tutorial Cinescopophilia 1 min readMark Vargo, ASC shows off how pioneering VFX was achieved in the 1980’s on films such as Stars Wars The...
The Underdog Shot on RED WEAPON Camera with HELIUM 8K S35 Sensor Cinescopophilia 1 min readEnjoy “The Underdog” from RED Digital Cinema and presented by Abandon Visuals is the story of an unnamed fighter and...
ARRI Alexa Mini Vs RED Epic Vs Dragon Test Cinescopophilia 1 min readA very quick test by Женя Козлов on YouTube, putting the ARRI Alexa Mini camera up against the RED EPIC,...
Reward Offered For Stolen OFFHOLLYWOOD ARRI Master Primes Cinescopophilia 1 min readMark Pederson from OFFHOLLYWOOD informs that they have had five ARRI Master Primes and a 30-80mm ARRI Fujinon Alura Zoom...
