Cinematography and Optics Calculators

Cinematography & Optics Calculators | Cinescopophilia
on-set optics & framing math

Cinematography & Optics Calculators

Lens, framing and exposure math for filmmakers — separate from the storage & media calculators.

aspect ratio, field of view, depth of field and exposure
built for DPs, camera assistants and gaffers
works entirely in your browser — nothing is uploaded
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Aspect ratio calculator

See how much of a frame a delivery crop keeps or cuts.

Field of view comparator

Compare angle of view for two sensor and focal length combinations.

Depth of field calculator

Near and far focus limits, total depth of field, and hyperfocal distance.

Exposure table

Footcandles and lux at key exposure for a given ISO, shutter and frame rate.

Aspect ratio calculator

See how much of a frame a delivery crop keeps or cuts, and compare common resolutions by pixel count.

Reference photo showing crop overlay
Photo: Vitaly Gariev / Pexels
of frame kept
crop direction
vs source frame
Valid resolutions for this ratio

Common pixel dimensions that preserve this ratio, constrained to fit inside the two standard delivery containers.

DCI container (1.9:1) fill
16:9 container (1.78:1) fill
DCI-constrained
16:9-constrained
Common resolutions by pixel count
Common resolutions by pixel count 12K 12288×6480 8K 7680×4320 6K 6144×3240 4K 3840×2160 QHD 2560×1440 FHD 1920×1080 HD 1280×720

Crop overlay is calculated from the source and delivery ratios only — it does not read the actual pixel dimensions of a photo, so treat the overlay as illustrative of proportion, not a pixel-accurate crop guide. “Try your own photo” only accepts image files and previews them entirely inside your own browser — nothing is uploaded, saved, or sent to this site or anywhere else.

Field of view comparator

Compare the angle of view for two sensor + focal length combinations side by side.

Setup A
Setup B
Setup A horizontal FOV
Setup A vertical FOV
Setup A diagonal FOV
Setup B horizontal FOV
Setup B vertical FOV
Setup B diagonal FOV
Relative horizontal angle of view

Field of view is calculated from sensor width/height and focal length using standard optical geometry. The “Real camera modes” group uses active sensor dimensions taken directly from manufacturer-published spec sheets, brochures and user manuals (Sony, ARRI, RED, Canon, Blackmagic, Nikon, Panasonic, DJI) — not estimated. Cameras that only publish a general sensor size (rather than a per-recording-mode active area) are labeled accordingly — the Sony FX6 shares the same full-frame sensor as the FX3 and a7S III. This does not account for lens distortion or breathing — always confirm coverage with the manufacturer or by testing on set.

Depth of field calculator

Estimate near and far focus limits, total depth of field, and hyperfocal distance.

near focus limit
far focus limit
total depth of field
hyperfocal distance
Aperture reference (full, 1/2 and 1/3 stops)
Full stops1/2 stops1/3 stops
Relative aperture size (full stops)

Depth of field is estimated using a circle of confusion derived from the selected sensor’s diagonal (diagonal ÷ 1500), a common approximation. T-stops describe light transmission, not physical aperture size, so a cine lens marked T-stop is converted to an estimated physical f-number (assuming ~80% transmission efficiency, typical of modern coated lenses) before calculating depth of field — actual transmission varies by lens. Acceptable sharpness is also subjective and depends on viewing distance, display size, and lens performance — use as a planning guide, not a substitute for checking focus on a monitor.

Exposure table

Generate an exposure table at “key” 18% gray for a given ISO, shutter and frame rate.

Required light level at key (18% gray) by T-stop
T-stopFootcandlesLux

Exposure values are calculated using a standard reflected-light formula calibrated to 18% gray. Actual light meters and camera metering systems use manufacturer-specific calibration constants that can vary by a third of a stop or more — always confirm exposure with a meter or the camera’s own tools before a critical shoot.

Quick answers

Direct numbers for the most common lens and exposure questions.

Aspect ratio & framing
What is the difference between 1.85:1 and 2.39:1?
1.85:1 (Flat) is the standard US theatrical widescreen ratio. 2.39:1 (Scope) is wider, associated with anamorphic photography and a more cinematic, letterboxed look. Both fit inside a DCI or 16:9 delivery container with some letterboxing or cropping.
How much of my frame do I lose cropping 16:9 to 2.39:1?
Cropping a 16:9 (1.78:1) frame to 2.39:1 keeps about 74% of the original height, with the top and bottom cropped off. Use the Aspect Ratio Calculator above to check any ratio pair.
Field of view & lens coverage
Does a Super 16 lens cover a Super 35 sensor?
No. A typical Super 16 lens has an image circle of around 15-18mm, while Super 35 sensors have a diagonal of around 31mm. Mounting a Super 16 lens on a Super 35 sensor will cause heavy vignetting.
Does field of view change between cameras with the same focal length?
Yes. Focal length is a fixed property of the lens, but field of view also depends on sensor size. The same 35mm lens will show a narrower field of view on a smaller sensor (like Super 16) than on a larger one (like full frame).
Depth of field
What is hyperfocal distance?
The hyperfocal distance is the closest focus distance at which everything from half that distance to infinity appears acceptably sharp. Focusing at the hyperfocal distance maximizes your depth of field for a given aperture and focal length.
Does sensor size affect depth of field?
Yes, indirectly. Larger sensors need a longer focal length to achieve the same field of view as a smaller sensor, and longer focal lengths produce shallower depth of field at the same aperture — which is why full-frame cameras are often associated with a “shallower” look.
Exposure
What does shutter angle mean compared to shutter speed?
Shutter angle is a film-camera convention describing how much of each frame’s exposure time is used, expressed in degrees out of 360. At 24fps, a 180° shutter angle equals a 1/48s shutter speed. Wider angles (270°-360°) let in more light but increase motion blur.
What is “key” 18% gray exposure?
18% gray (or middle gray) is the reference reflectance value that light meters are calibrated to. An exposure table built around 18% gray tells you the light level needed for a mid-toned subject to expose correctly at a given T-stop.
About these calculators

Where the math comes from

Field of view, depth of field, and exposure calculations use standard, published optical and photographic formulas. They are planning tools, not a substitute for testing lenses or metering light on set.

Sensor size presets

Sensor dimensions used are common industry-standard sizes (full frame, Super 35, APS-C, Micro Four Thirds, Super 16, and small-format 1", 2/3", 1/1.7" and 1/2.3" sensors) — the smaller presets cover most drones, action cameras and gimbal cameras. Your specific camera’s active sensor area may vary slightly by recording mode.

Runs entirely in your browser

Nothing you enter here is uploaded or stored — every calculation happens locally on your device.

Need file size and storage math instead? Check out our Camera Recording File Size Calculator. Figures here are estimates based on standard optical formulas — always confirm critical lens coverage, focus, and exposure on set.