Shop the Cinescopophilia Collection
  • NEWS
  • CAMERA

    CAMERA

    A Quick Look at the ALEXA LF Camera’s Picture Quality

    Cinescopophilia

    Spend 18 Minutes With The Sony VENICE Camera

    Cinescopophilia

    New Products For the Sony Venice Camera From Wooden Camera

    Cinescopophilia

    Panavision’s Millennium DXL2 Camera Makes NAB 2018 Debut

    Cinescopophilia

    Canon EOS C700 FF Camera: Recording Options and a Walkaround

    Cinescopophilia

    Skin Test and Camera Assistant Side Panel Operation: Sony CineAlta VENICE Camera

    Cinescopophilia

    Random

    The GoPro HD Hero2 Camera Unboxing and Feature Review:

  • LENS

    LENS

    MTF Announce F3 Full-Frame Lenses from Leading Glass Manufacturer NiSi

    Cinescopophilia

    NAB 2018: FUJINON 4K HDR Zoom Series Lens Expands with Two New 46x Zooms

    Cinescopophilia

    A Full Frame and Anamorphic NAB 2018 for Angénieux

    Cinescopophilia

    Old Hollywood Shooting Through a Silk Stocking Look With Schneider TRUE-NET Diffusion Filters

    Cinescopophilia

    Rokinon High Speed SP 50mm F1.2 Lens for Canon Joins The SP Special Performance Series

    Cinescopophilia

    P+S TECHNIK KOWA 2x Anamorphic Evolution Lenses Vs Original KOWA Anamorphics

    Cinescopophilia

    Random

    Schneider-Kreuznach Announces RHOdium FSND Filters

  • DRONE

    DRONE

    How They Shot That Running With Cheetahs Footage

    Cinescopophilia

    Go Behind The Scenes on “The Flat Earth” featuring the SHOTOVER F1 System

    Cinescopophilia

    More on That Autel EVO Drone

    Cinescopophilia

    Say Hello To The Autel Robotics EVO Drone

    Cinescopophilia

    Intuitive Aerial Newton S 3D Gyro-stabilized Remote Camera Head

    Cinescopophilia

    Gremsy T1 Camera Gimbal

    Cinescopophilia

    Featured

    Testing the Rottor Digital CableCam : 10x ZOOM TEST

  • SHOP
  • CONNECT
    • ABOUT
    • ADVERTISE
    • CONTACT
    • NEWSLETTER
    • PICTURE STYLES
      Home
      Post Production
      DaVinci Resolve

      Tips For Matching Shots: DaVinci Resolve Colour Correction Tutorial from Casey Faris

      Vision Wrangler

      Cary Faris takes a look at making matching shots equal each other in looks, using DaVinci Resolve

      In this tutorial, I’ll show you my method for matching shots captured on different cameras, with different lighting etc.

      Casey FarisColour Correction TutorialDaVinci ResolveTips For Matching Shots

      Shop the Cinescopophilia Collection
      Previous Setting Up the SmallHD 702 Monitor by AbelCine
      Next POV BTS “The Pledge” Fight from M. Andrew Barrera

      Related Posts

      Quick DaVinci Resolve How To Colour Grade LOG

      Matching Camera Shots, The Ultimate Guide Using Resolve 14 by Casey Faris

      Better Colour Grading Results and Colour Correction Tips for LUTs from Casey Faris

      DaVinci Resolve 14 New Features Round Up by Casey Faris

      Buy me a coffee

      SEARCH

      Shop the Cinescopophilia Collection

      Connect With Us

      About Cinescopophilia

      Cinescopophilia is all about new cine cameras, cine gear, cine news, the occasional review, and videos by the people who actually use this stuff. Check out apparel shop for gear you will wear on set.

      Made with love from Cinescopophilia
      • About
      • Advertise
      • Contact
      • FAQ
      • Returns Policy
      • T&Cs
      • NEWS
      • CAMERA
      • LENS
      • DRONE
      • SHOP
      • CONNECT
        • ABOUT
        • ADVERTISE
        • CONTACT
        • NEWSLETTER
        Type to search or hit ESC to close
        See all results