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RSSCategory: ARRI

Overview of the ARRI Rod Standards:

Overview of the ARRI Rod Standards:

There are currently three ARRI rod standards; 15mm LWS lightweight Support , 15mm Studio, and 19mm Studio. But rods are rods right? NO!! Just ask one of the American manufacturers who have a sea container full of rods they believed to be industry standard… They are now called looking at rods. So here is an […]

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Arri DoP*1 Cinematographers Watch:

Arri DoP*1 Cinematographers Watch:

Unlike pilot or diving watches, the bezel of the DoP*1 doesn’t indicate time that has passed; instead it is equipped with a countdown to zero feature. Cinematographer Tom Fährmann, BVK designed the DoP*1 watch at the suggestion of Arnold & Richter and the timepiece is manufactured by Roland Kemmner, a renowned German watchmaker based in […]

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ARRI PCA for SONY PMW F5 F55 Camera Feature Tour:

ARRI PCA for SONY PMW F5 F55 Camera Feature Tour:

ARRI PCA show off their range of accessaries for the SONY PMW F5 and F55 cameras… ARRI PCA offers a range of accessories for the Sony F5 / F55 in the form of a dedicated 15 mm LWS base plate; shoulder pad; accessory top plate; handle; and Sony viewfinder adapter. These dedicated accessories improve ergonomics […]

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ARRI Master Anamorphic Lens Showreels I SEE and THE RIDE:

ARRI Master Anamorphic Lens Showreels I SEE and THE RIDE:

Getting in early for your weekend viewing pleasure… Two ARRI master anamorphic showreels; one from Cinematographer Sheng Lu called “I See” and one from cinematographer Karl Walter Lindenlaub, ASC, BVK, called “The Ride.” ARRI Master Anamorphic showreel: I SEE Cinematographer Sheng Lu combined ARRI/ZEISS Master Anamorphic lenses with an ALEXA M on the short film […]

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ARRI Accessories For the Blackmagic Pocket Camera, Digital Bolex, Sony F5/F55, & Canon 100/300/500:

ARRI Accessories For the Blackmagic Pocket Camera, Digital Bolex, Sony F5/F55, & Canon 100/300/500:

ARRI is introducing new accessories for the Blackmagic Pocket Camera, Digital Bolex, Sony F5/F55 and Canon 100/300/500 cameras. These accessories render the cameras suitable for the rigors of professional filmmaking by making them fully compatible with ARRI support and all industry-standard matte box and follow focus systems. Accessories for Sony F5/F55 – The ARRI broadcast […]

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ARRI/ZEISS Master Anamorphic Lens Series Shipping Dates:

ARRI/ZEISS Master Anamorphic Lens Series Shipping Dates:

ARRI have published shipping dates for all seven of their focal lengths in the ARRI/ZEISS Master Anamorphic lens series. The MA35, 50 and 75 were released in August this year and have started shipping, with the MA100 to follow in October, the MA40 and 60 in February 2014, and the MA135 in April 2014. By […]

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ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 Lens:

ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 Lens:

ARRI have introduced their new Ultra Wide Zoom UWZ 9.5-18/T2.9, the first super wide-angle zoom lens for the professional cine market. With an unusually accommodating image circle of 33.7 mm, the UWZ has been designed for both existing and future generations of large-sensor digital cameras, incorporating patented, cutting-edge lens technologies that overcome known problems with […]

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Two New ARRI L-Series Tungsten Lights:

Two New ARRI L-Series Tungsten Lights:

ARRI have released two new additions to their popular L-Series range of LED Fresnels. So ARRI now have a tuneable tungsten model, the L7-TT, and an optional active cooling version of all L7 models. As a tuneable 2600 K – 3600 K tungsten version of the popular L7-C, the L7-TT (Tuneable Tungsten) is more than […]

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ARRI Broadcast Plate For Sony F5 & F55 Cameras:

ARRI Broadcast Plate For Sony F5 & F55 Cameras:

ARRI dropped this off at the Cinescopophilia Facebook page… It’s worth sharing. New ARRI PCA “Broadcast Plate” for Sony F5/F55: Beside our existing plate which adapts with an integrated “touch and go 35″ directly to a fluid head or via BP-8/9 to all “cine-style” configurations we had requests from our customers who wanted to have […]

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ARRI Pro Camera Accessories at NAB 2013:

ARRI Pro Camera Accessories at NAB 2013:

Philip Vischer ARRI PCA Product Manager and Snehal Patel Technical Sales Support from ARRI bring a little bit of NAB 2013 home to you, when they run us through the new ARRI PCA offerings. The guys demonstrate some of the best PCA products shown at NAB such as the ARRI Lightweight Matte Box LMB-6, base […]

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ARRI LDS Extenders for Alura Zoom Lenses:

ARRI LDS Extenders for Alura Zoom Lenses:

ARRI’s Product Manager, Thorsten Meywald gives us a run down on the new Alura LDS Extenders; 1.4x and 2.0x. The focal length range of the ARRI / FUJINON Alura Zoom lenses is significantly increased with the use of the easily and quickly mounted extenders. The Alura LDS Extenders mount between the camera’s PL mount and […]

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ARRI Lightweight Matte Box LMB-6:

ARRI Lightweight Matte Box LMB-6:

The ARRI LMB-6 matte box succeeds the LMB-4A matte box. The LMB-6 makes all of the innovations of the successful LMB-25 available for larger-sized filters, up to 6.6″ x 6.6″. This allows a lightweight matte box to be utilized even when extremely wide angle lenses are used on the camera.. There are two choices, the […]

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ARRI Made a Base Plate For the Ikonoskop A-CAM dII Camera:

ARRI Made a Base Plate For the Ikonoskop A-CAM dII Camera:

Quick one for you that involves the ARRI MBP-3 base plate and the Ikonoskop dII camera. Arri have a new A-Cam dll base plate adapter for the Mini Baseplate MBP-3. The MBP-3 makes it possible to use the MBP-3 cage system, the Mini Follow Focus MFF-2, the Mini Mate Box MMB-2 etc. with the A-Cam […]

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Quick Look at the ARRI Mini Matte Box MMB 1:

Quick Look at the ARRI Mini Matte Box MMB 1:

Quick one for you the ARRI Mini Matte Box MMB-1 is designed for use with smaller popular HD camera bodies. The ARRI MMB-1 Mini Matte Box might come as a small form-factor matte box but allows for use of three filters, including one that is fully-rotatable round. ARRI MMB-1 Matte Box Main Features: Side-load version […]

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