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Canon C300 MKII Camera Build, Setup, Lighting, Colour Grading and Post

From initial pre production set up all the way through to post post production with the Canon C300 MKII, Matt Porwoll will hold your hand through the process. except for Ep 2 out of the six Eps, as that’s been left out or dropped off the net for some reason.

Camera Build and Setup

In this episode, Matt Porwoll takes us through his builds and configurations for the C300 Mark II, which help make the camera more balanced and versatile while shooting. Watch and learn about all the accessories that Matt uses with his C300 Mark II!

Camera Setup: Resolution, Color Space Options, and Proxy Files

Go behind the scenes with cinematographer Matt Porwoll as he talks about his camera setup used in shooting the short documentary Brooklynphono. Matt discusses some of the options with resolution, color space and log gamma available on the C300 Mark II.

The Craft of Interview Lighting

Cinematographer Matt Porwoll takes us behind the scenes of the interview shoot and gives us an inside look at the lighting setup he used to create the look and feel for that shoot.

A Conversation on Workflow, Color Grading, and Deliverables with Technicolor Postworks

Documentary Cinematographer Matt Porwoll sits down with Technicolor Postworks to discuss post-production workflow, color space considerations, new color space options, and how all these affect the decisions that filmmakers make during their shoots.

Color Grading Session with Technicolor Postworks

In this episode, Cinematographer Matt Porwoll sits down with Jack Lewars, Digital Intermediate Colorist at Technicolor Postworks to give us insight on the color grading process and the decisions that are made to achieve the desired look in the final product.

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